... the play. When Lear asks Cordelia to tell him how much she loves him, Cordelia responds by saying that she loves him “according to my bond.” (1.1.102) Cordelia means that her love for her father is based upon the law of nature and involves the clearest recognition of her filial obligations. It is this very law which Lear himself depends on when he expects to be revered and obeyed both as a king and as a father by all his daughters. Shakespeare demonstrate this idea when he points out that at a later point in the play, after Lear was treated horribly by Goneril, Lear express his conviction that Regan, unlike Goneril, knows better “The offices of nature, bond of chil ...

... found for his daughter. Once word got out that there were witch hunters in Salem all hell broke loose. As three warrants are sent out to arrest the supposed witches the long blood bath that is to follow is set into motion. During the trials Parris is sure to attack the character of every defendant leaving no one pure. When Frances Nurse brings a petition with 91 names on it, a petition to set Rebecca, Goody Proctor, and Martha Corey free Parris demands that all those on the list be called in for questioning. pg93 Danforth, glancing at the list: How many names are here? Frances: Ninety-one, Your Excellency. Parris, sweating: Thes ...

... level. For instance, in the program Sailor Moon, little girls are kept on a level of clothes and being cute for boys. This is a very unrealistic outlook and short circuits any thoughts of importance in their lives. Barbie, the Mattel doll, also portrays a false image. With her petite, fragile figure, large bust, tiny waist, long legs, big eyes, and vast career ranging from a lifeguard to a doctor, Barbie wins the hearts of many innocent little girls who become subjected to her unrealistic image. Most often in television there is no depth beyond the surface, what you see is what you get. This is very prominent in children' s television, where without the spe ...

... as if their existence was without and cruelty. And finally Hamlet hides behind his madness, be it real or pretend, a person who is indecisive and spiteful. Masks in this play are not just a theme; they are the whole basis of it. The mask theme develops throughout the play as various characters try to cover their secret intentions with a veneer of a whole other person. One of the most obvious, of course is Claudius. Claudius murdered his brother, the former king Hamlet, in order to become king himself. This murder, which was done in secret, with no one but Cladius knowing that the act was committed by him. Not only is he the King of Denmark, but he is also m ...

... Hamlet to avenge his murder. This is where the flaw is adopted by Hamlet and begins to effect his life. Hamlet begins to dig deeper and deeper to find the truth. He puts on an act of madness to disguise his revenge. Hamlet becomes so over-whelmed with death that death is all he thinks or cares about. The death and deception burn into his heart like a hot branding iron to a steer. Hamlet's flaw is intact. Hamlet has a friend, Horatio, who knows of the murder of Hamlet's father. Hamlet could trust Horatio with his plans and opinions. Horatio acted as an advisor to Hamlet, but he did not tell Hamlet that he was heading in the wrong direction. Because of this Hamlet ...

... me was the very famous "balcony scene". Much of the language here could use some revision. For example, when Juliet says, "Romeo, Romeo, where for art thou Romeo?", I think it would be much better if she simply said something to the affect of "Romeo, where are you?" since that is practically all she is saying. And at the end of the balcony scene, instead of Juliet saying "Parting is such sweet sorrow," although that is very dramatic, she could just say something like, "I wish you didn't have to go so soon." Another part that I noticed was in the scene where Mercutio was insulting Tybalt, right before they fought in the streets of Verona. Mercutio had called Ty ...

... "mounted men-at-arms." Chevalier also gave birth to a word almost identical to chivalry: cavalier. Webster's defines cavalier as "a gentlemen trained in arms and horsemanship." These are also synonymous with knight. An interesting contradiction though is that the English etymology of the word knight is trusted servant. This comes form the Anglo-Saxon word "cnyht" (De La Bere 35). The idea of a knight being a servant does not fit most people's ideas of knighthood or chivalry, but in essence that is what a knight is. A knight's duty is always to his king. The duality of these roles is what makes chivalry unique. (Barber 9). So where did chivalry ...

... of people like the Joads, but I don't believe government programs will effect them at all. For example, the great depression was a major economical event, and it greatly effected more then just people like the Joads, but programs like the public works administration which employed people for government construction projects. Another program, the Works Progress Administration, later called the Works Projects Administration was created to develop relief programs, and to keep a person's skills. From 1935-1943, it employed 8 million people, and spent 11 billion dollars. But in 1939, there were still 9.5 million still unemployed. Another program was the Civilian ...

... replica of an erect penis. When he leaves the outer gates of the complex, Dim surprises him by smacking a milk bottle against his face. His counterparts escape while little Alex is left bleeding and blinded to deal with the police. Upon interrogation of Alex, he discovers that the blow he delivered to the young lady was a fatal one. He is charged with first-degree murder and sentenced to 14 years in prison. While there, he befriends the resident minister and becomes a helper to his service. The minister, Alex soon discovers, is a part in a new form of treatment that is trying to be implemented prisons to help "cure" inmates from committing acts of violence. Throu ...

... also loves Caesar but fears his power. In the early acts of the play, Brutus says to Cassius, "What means this shouting? I do fear the people do choose Caesar for their king...yet I love him well."(act 1, scene 2, ll.85-89), as he is speaking to Cassius. Brutus loves Caesar, but would not allow him to "climber-upward...He then unto the ladder turns his back..."(act 2, scene 1, ll.24,26). As the quote says, Brutus would not allow Caesar to rise to power and then turn his back onto the people of Rome. After the assassination of Julius Caesar, Brutus talks to Antony about Caesar's death. "Our hearts you see not; they are pitiful; and pity to the general wron ...